• Published on Tuesday, 18 October 2022
  • | Exhibitions

Bold and Beautiful at The Natural Eye 2022

  Carmines by John Threlfall
Carmines by John Threlfall
  Before the Hunt by John Dobbs
Before the Hunt by John Dobbs

The venue for our annual exhibition is the prestigious Mall Galleries in central London. It is a beautiful space comprised of three galleries and can easily hold 400 works. This year the work from several painters really stand out for their bold use of colour.

  Chobe Leopard by John Dobbs
Chobe Leopard by John Dobbs

John Dobbs has spent time drawing from life in both India and Africa. He uses intense colour and bold marks to create beautiful paintings which really stand out at this year’s exhibition.

  Swallows and Cattle Late Summer by Dafila Scott
Swallows and Cattle Late Summer by Dafila Scott

Another amazing colourist is Dafila Scott. Dafila creates atmospheric pieces with a beautiful pallette and strong mark making as well as carefully observed subjects which are a fantastic addition to the show.

  Swallows and Cattle at the Coast by Dafila Scott
Swallows and Cattle at the Coast by Dafila Scott

Brin Edwards is well known for his strong use of colour and an abstract approach within his work. 

  Tideline by Andrew Haslen
Tideline by Andrew Haslen

Andrew Haslen’s paintings are full of life and energy and create an enormous impact at the far end of the West Gallery. 

  Bittern in the Open by Andrew Haslen
Bittern in the Open by Andrew Haslen
  Direction of Travel by John Foker
Direction of Travel by John Foker

Another wonderful body of vibrant work belongs to John Foker. His joyful swifts and gorgeous geese are especially impressive.

  Wensleydale Swifts Morning by John Foker
Wensleydale Swifts Morning by John Foker

Andrew Stock has five works on show this year including this vibrant painting of a whitethroat. Andrew has been exploring a looser style and writes:

This year I have made a determined effort to move my ‘art’ forward. For too long I have wallowed in my comfort zone, a tried and tested style of painting that works for me - it’s satisfying and also rewarding in that it generally sells.

However, at the same time a restlessness - an inquisitiveness - in furthering my technique has often nagged at me, and occasionally rises to the surface with a somewhat frenetic grabbing of the palette knife and trowelling on some thick impasto…that is usually wiped off moments later. Well, this year it’s not so much a frenetic grabbing, but a conscious and determined effort with the palette knife. And I’m loving it. There is a sense of freeing up, of liberation and self expression - and the results are encouraging. But it’s not easy. I’m still at an edgy, cautious stage, well out of my comfort zone. But, as we all know; ‘comfort zones are where dreams go to die' Andrew Stock

  Landcross Whitethroat by Andrew Stock
Landcross Whitethroat by Andrew Stock

The exhibition closes on Saturday 22nd October 5pm but works are available to view and buy online.