Over Land and Sea

This exhibition at the Donald Watson Gallery ,Scottish Ornithologists’ Club Aberlady shows work from four SWLA artists- Danial Cole, Simon Griffiths, Darren Rees and Tim Wootton. It runs from 25th May to 3rd July.

Tawny Owl by Simon Griffiths

Simon Griffiths will be doing a sculpture demonstartion between 2 and 4 on May 25th.

Daniel Cole

Tim Wootton

Darren Rees

Donations in memory of Greg Poole

Greg Poole was an inspirational artist and member of the Society. His passion for the natural world shone out in his work but he also used his skills and energy to help other artists. He was a key tutor on the John Busby Seabird Drawing Course where he helped many artists, young and old, to connect with working directly from life.  His family have asked for donations in his name to go towards the John Busby Seabird Course SWLA Bursaries or other opportunities that the Society can offer to encourage artists to work in the field and expand their practice.

To make a donation please click here

or send a cheque made out to The Society of Wildlife Artists to

SWLA Treasurer, c/o 17 Carlton House Terrace, London SW1 5BD


Leopard and Carmine Bee-eaters

Greg Poole 1960-2018

The Society of Wildlife Artists is deeply saddened to share the news of the untimely death of artist and SWLA member Greg Poole.

Greg was a distinctive artist and a unique character. He epitomised what it is to be a wildlife artist in the world today – an exceptional naturalist who was able to find equal interest and inspiration from the big game of the African plains and the local insects watched and recorded on his Bristol allotment. Most importantly he translated these experiences into unique works that combined a strong sense of composition and drawing, with a playful approach to the paper edge and a strong sense of rhythm across the surface. Anyone who had the privilege of witnessing Greg work will have seen him sitting and looking for a long time before making swift, calligraphic marks on paper often turned away from the subject matter but ‘with senses still full of the place, hearing birds, smelling the vegetation, feeling the wind or sun and starting to paint’. His field sketches combine a deep understanding of the creatures he is depicting with evocative, sparse descriptions of their habitat and occasional scribbled notes about behaviour. They are often works in their own right as well as serving as starting points for the relief prints and monotypes for which he is best known.

Leopard and Carmine Bee-eaters

Greg originally studied Zoology at Cardiff University and it was on a field trip soon after graduating that he had an experience which changed his priorities and turned him towards becoming an artist.

‘I was with one other ornithologist, in a tent on a beach ridge hundreds of miles from the nearest people. Icebergs offshore, caribou migrating, arctic fox on the neighbouring ridge and all kinds of exotic birds in this near 24 hour clear light. It was a sensory overload and I didn’t know what to do with it. Some of the time having to retreat into the tent. I made the resolution to find a way of expressing what I was seeing as soon as I returned to Britain.’


After this he sought out a year on a Foundation course at Manchester Polytechnic which gave him the tools to begin to establish himself as an artist and illustrator with a strong focus on the natural world.

Greg first exhibited with the Society in 1991 and was elected a member two years later in 1993 – he served on the Council a number of times and was an active member. Greg took part in many of the projects and residencies over the years, including Aig an Oir and BTO Flight Lines in Senegal and more recently the Turkish Sweet Gum project, Wallasea Island and Kingcombe projects. Among other accolades Greg received the RSPB Art Award for a piece he made in response the Wallasea Project in Essex and was awarded the Birdscapes Gallery Printmaker’s prize.

Short-eared Owl Flying near Diggers

RSPB Award 2015       Greg Poole Short-eared Owl Flying near Diggers

Greg was a natural teacher, he was generous with his energy and had a reputation for his insightful and honest feedback. He joined the John Busby Seabird Drawing course as a tutor in 1996, working alongside his good friend and long-time collaborator David Measures amongst others. Through this he was able to introduce a number of new field artists to the Society who he has championed and mentored in recent years.

Gannets, Bass Rock

A committed conservationist, Greg gained enormous pleasure in transforming his garden and adjoining allotment into a wild flower meadow which he dedicated much of his time to in the last few years.

Gatekeepers and Bees on Scabious

He had a wonderful capacity for knowledge and could also ‘see’ the relationships between plants, birds, animals, insects and human activity in landscapes – these elements were frequently combined in his creative output.

Women Walking & Turacos

Greg was born in Bristol in 1960 and died on 28th December 2018 after complications from a heart attack.

The SWLA will be collecting funds in Greg’s name for suitable bursaries such as places on the John Busby Seabird Drawing Course. Details of how to donate will are at the top of this page.

Oystercatchers, Starlings & Dunlin

Emily Ingrey-Counter – bursary winner 2018

As an artist who regularly draws in the field I was so delighted to be accepted onto the seabird drawing course. My primary aim for the week was to learn from others who love to draw and spend time observing and recording the natural world. The seabird drawing week was challenging and intense, and pushed me in ways that I hadn’t anticipated. We met each day at 8.30/9am and then travelled to our destination for the day; Dunbar, St Abb’s or the harbour where we could meet the boat to take us to the islands of Fidra or Bass Rock. Each evening we met again at the hotel for dinner, which was followed by an informal chat, looking at each other’s work and planning out who was going where the following day, often finishing around 10pm.

One of the highlights for me was getting to know other artists within the group and sharing our experiences and our work at the end of each day. Naturally, I discovered that in the emotional highs and lows of a good/bad day, I was certainly not alone. Although the prospect of sharing our work each day with the whole group was quite daunting I actually found the feedback surprisingly encouraging.

Another highlight of the week was of course visiting the Bass Rock. The weather, winds and swells were in the right alignment for us this year as both groups were able to get access to the gannet colony for a whole day. A huge privilege. It was noisy, smelly, dirty and quite fantastic!
I felt like I’d landed on another planet, with 150,000 inhabitants tolerating our presence. Due to the wind there birds were constantly in flight around us hovering, landing and taking flight. We all drew with intensity and focus for about 7 hours. Amazing! The following day the swells were too strong to land on the island so we sketched from the boat for an hour – which was a great way to develop fast sketches, but challenging in terms of motion sickness!

St Abb’s Head was another location that was incredibly inspiring. Although I have drawn here before, this time I really wanted to capture the sheer and exposed cliff faces on which the birds nest and how small (but many) they are in such an immense landscape. The days we spent there were very windy creating large swells and crashing waves with thousands of guillemots on cliff edges, in flight and at sea.

The informal one to one tutor guidance throughout the week was really helpful. I was reminded of some key elements that had been creeping out of my drawings “Keep a breathing space in your picture”, “What excites you about your chosen subject matter? Keep this in mind throughout your drawing.” Also, “Keep your work fresh, try not to overwork your pictures” “Think about keeping the energy in your work”. Seeing examples of the tutors work and hearing about their practice and individual approach to working was also something I really enjoyed and would like to hear more of.

Through many discussions with the tutors and artists on the course I was encouraged to value what I do, something that’s easy to lose sight of.

I am really grateful to the SWLA for making this week possible. I hope the things I have learnt will continue to echo through my work.It was such a privilege to meet so many people on this unique journey of making art inspired by our natural world.

Adele Pound – bursary winner 2018

Receiving the bursary from SWLA enabled me to benefit from a unique and wonderful experience which I would not otherwise have had. The sites we were taken to were exceptional. In particular, the extraordinary privilege of spending a day on Bass Rock was an opportunity only to be had by attending this course. To be able to spend a week drawing alongside other artists, to share these experiences, exchange ideas and discuss each other’s work is also something very special about the seabird drawing course.

Gannets in flight. Sharpie pen on paper. Our second attempt to land on Bass was thwarted by the swell so we drew from the boat until seasickness forced us to retire.


Fieldwork has always been important in my work, but before the course I was aware I had become stuck and even that I had lost abilities that I once had. Fieldwork calls for a specific set of skills: accessing and identifying birds, the logistics of deciding what kit to take, use of optics, strategies to deal with weather conditions etc. These were beyond the scope of my conventional fine art education. As a result I had rarely met other artists who use fieldwork in their practice and had essentially invented this for myself, working largely in isolation since graduating with inevitable limitations in what I could achieve.

The course really opened my eyes to what is possible in the field. The tutors and the other participants demonstrated to me throughout how much more ambitious I might be. I saw materials used that I would never have imagined taking into the field. I discovered I was able to cope with weather conditions I would not have attempted to work in if left to my own devices. The supportiveness, warmth and enthusiasm of the group helped me to engage with and enjoy the challenges. Everyone was generous with their knowledge, their experience and their encouragement. I was surprised by what I was able to achieve by the end of the week and by how much my thinking about my drawing had changed.

Kittewakes at Dunbar harbour. Pencil on paper. A faded and tatty sheet but one I am proud of having created it laying on my stomach in the pouring rain. The leisure centre hand drier had to be deployed to save it!

The tutors were inspiring. Each brought different aspects and personalities to the course but their passion and enthusiasm was always apparent. It was obvious that their overiding concern was for everyone to get as much as possible from the week. Despite the large size of the group, they were sensitive to the struggles of each individual. Several times I received just the advice I needed to help me progress, whether it was to try a different approach or to persevere with a drawing I had given up on. There was genuine delight from both tutors and fellow students whenever someone had a breakthrough.

The organisation of the course was excellent both prior to the course and during the week. Everything was made very easy and straightforward and individual needs accommodated, allowing us to concentrate fully on our drawing.

Razorbills on a ledge. Willow and compressed charcoal. I struggled all week to put a bird on a rock so this was a breakthrough for me. A fellow student strolled by and said “Ilike your Rock”. I couldnt have been happier!

For me, meeting the other artists and tutors was invaluable. I have made new contacts and friendships and discovered for the first time a community of artists who understand and value the importance of working in the field. It was a privilege to work alongside so many lovely and talented people. The week has refreshed my practice and re-engaged me with drawing and looking. New possibilities for ways of working have opened up and I have been given insights into myself and my drawing. I feel excited again about my drawing and about exploring what I have learned. The experience will benefit me far into the future.

Guillemots, St Abbs. Flushed with success – more birds on more rocks! Including my first ever sighting of a bridled guillemot.


Liz Myhill – bursary winner 2018

The Seabird Drawing Course has been an incredible experience of total absorption into a subject and place. Its rare to have a period of being focussed solely on the simple daily rhythm of going out to draw, experiencing new places and sights and sharing it all with so many lovely people – all with a common goal and who were so open to discussing their thoughts, ideas and approaches.
Although I have enjoyed working outdoors for many years its only recently that wildlife and seabirds in particular have become a focus in my artwork. The biggest challenge during the week would be attempting to capture the essence of a moving, living creature in an interesting way and to understand its form and anatomy. And that’s not to mention being overwhelmed by some of the surroundings we were working in and the challenges they presented ….such as a very windy, gannet infested Bass Rock where one of my drawings blew into the colony and although thankfully retrieved came back full of peck holes!

Gannet sketchbook studies from the Bass Rock and circling the island by boat.

The week definitely wasn’t without its struggles as I grappled with trying to balance good draughtsmanship and accuracy of form with interesting mark-making. And the sheer feeling of being overwhelmed by wanting to try so much in such a short time. It felt really important also to try and take some time just to appreciate and absorb the feeling of place.

Throughout the week there were moments of both absolute exhaustion and total exhilaration but the best bit was there was always someone to share that with. Coming together every evening to relax and talk over everyone’s triumphs and challenges of the day was one of the best parts of the week…that and the shared experience of working together in some truly awe-inspiring surroundings. I can’t thank everyone enough for being such a lovely, fun group to spend time with.

Gull chicks enjoying the sunshine on Fidra, they spent most of the day within just a few feet of where I was sitting.

Each day brought fresh new discoveries and ideas. The tutors wide range of approaches led to a fantastic balance in the feedback about work and different chats we had, each coming from a slightly different angle. They were all so generous, knowledgable and full of enthusiasm. Some of the chats in particular and the various drawing exercises we undertook really resonated and pushed me to try new ways of working. By the end of the week I think everyone felt they had achieved some kind of breakthrough at one point or another, I certainly had several moments of sudden clarity about my practice.

Guillemot covered stacks and swirling birds at St Abbs

The week itself was amazing, stunning locations, great company, new challenges, but what I like best is the fact it doesn’t stop at the end of the week…there are new things I’ve learnt, things I want to try and a whole new group of like-minded people who I’m sure I’ll be in touch with for many years to come. All in all it was just so much fun!